寒山寺位于苏州市姑苏区，始建于南朝萧梁代天监年间(公元502～519年)，初名“妙利普明塔院”。
寒山寺导游词【篇一】
各位旅客朋友们，
欢迎你们来到寒山寺。
寒山寺始建于公元502年，也就是梁代天监年间，至今已有一千多年的历史。寒山寺原名“妙利普明塔园”由于历经元、明、清三朝的火烧，我们现在看到的是1906年作后保存下来的遗迹，当然苏州市政府近年大力地整修之下才得到了今天涣然一新的外貌。到这里，有游客可能会问：“寒山寺的寒山在哪里?寒山寺很冷吗?” 让我来为你解答吧1其实寒山寺并非因山而得名，而是因人得名。在唐代，有两为僧人，一个叫寒山，一个叫拾得。尤其是寒山，他是唐朝诗僧，著有《寒山子诗集》，后人为了纪念寒山，将此寺改名为寒山寺。
另外大家一定想知道，苏州名胜古迹众多，为什么惟独寒山寺尤其名扬中外呢?原因有三：第一，源于一首诗，大家可能知道，当时唐代有位诗人叫张继，他是湖北襄樊人，进京赶考，却名落孙山。他心情郁闷，归途中渔船夜泊枫桥，枫桥，也就是靠寒山寺西边的一座桥，大家请随我指的方向看。他听见了寒山寺钟发出的“咚咚‘声，一下子使他受益匪浅，想通了许多，心想;我今年落榜，下一次 我一定可以东山再起，救灾灵感顿开的情况下，写下了千古名诗《枫桥夜泊》“月落乌啼霜满天，江枫渔火对愁眠。姑苏城外寒山寺，夜半钟声到客船。”直至今日，在千里之外的日本，有不少年幼的孩子都耳熟能详。
第二，佛门弟子一直认为，曾住持过此寺的寒山、拾得分别为文殊、普贤两位菩萨的化身。
第三，就是寒山寺的那口钟。也就是张继诗中所提到的钟。明代时，流入日本。后来。有个叫山田寒山的日本人在搜寻未果的情况下，便募捐了一对青铜钟，一口赠予中国寒山寺，一口留日本馆山寺。在中日民间文化交流和友好往来失史册中，写下了美好的一页 。
第四，据说寒山寺钟声具有很奇特的功能，可以用十二个字来概括“闻钟声，烦恼清，指挥长，菩提生。”
也许你看见朝西的大门，你一定、会产生疑问，不妨在再次让我为你们解答吧!至于原因呢/也有三：
其一，因地制宜，门朝西，西边就是运河，各地而来的善男信女坐船来此烧香，交通方便了不少。
其二，向西意味着通往西方极乐世界，表现了对西方佛教胜地的崇敬。
其三，水能克火。
以上我为大家具体讲解了一下寒山寺的历史，请大家先在此回味一下，顺便可以休息、拍照。片刻后，我们将回进入下一个景点——天王殿。
学了那么长时间的导游，在自我完善的同时，也让大家来体验一下，在我文字的引导下，你是否有一种身临其境之感呢，如果广大博学多才的 网友发现我的不做之处，请敬请提出，谢谢!
寒山寺导游词【篇二】
各位朋友，寒山寺的碑刻素来闻名，而其中最著名的首推《枫桥夜泊》诗碑了。各位游客：
现在我们就到碑廊去观赏一下。自古至今，寺中《枫桥夜泊》诗碑到底有几块呢?答案是：一诗七碑。北宋翰林学士殉国公王珪(1019—1085年)书张继《枫桥夜泊》诗石刻，为张继诗第一石，可借此碑早年失传。为恢复历史遗迹，弘扬民族文化，在海峡两岸有关人士的努力下，于1996年用王珪字迹集成的张继诗第一石又重立于普明塔旁。这要感谢台湾博斯年图书馆，他们无偿慷慨惠赠3000余字的王珪手迹墓志铭拓片，经苏州著名书法家费之雄集字，苏州碑刻博物馆雕刻艺术家时忠德重刻，又向世人展示了张继诗第一石的神采，为了解王珪书体特征和风格提供了实物。
全诗集字只有28字，但能直接选用的王珪完整原字只有14个，即：月、满、天、江、火、对、姑、城、外、寒、山、寺、夜、半，其余的都是通过原字部首组合而成。如：“霜”，用“雨”和“相”结合;部民”以“目”和“民”组合等等。字作为正楷，介于颜、柳书体之间。碑石选用了有一定年代的无字旧青石碑，总高2.5米，宽0.84米，厚0.2米，高1.66米，每字约13厘米见方。诗碑碑拓于1996年9月已被故宫博物院收藏。
第二块碑是明代文微明所写，因寺失火，仅存残碑一块，剩下不到10字，现展示在碑廊墙内。第三块碑为清代俞樾所写，保存完好，现市面上常见的《枫桥夜泊》条幅即是俞樾书碑的拓本。该碑陈列在碑廊内。第四块碑是与唐代的张继同姓同名的河北沧州人张继于1947年12月14日书写的。张继写好此碑，想不到第二天便碎然逝世，这幅墨迹也就成了名副其实的绝笔了。这块诗碑保存较好，现陈列在普明塔院内，诗的原件保存在台湾中国国民党中央史馆。
第五块碑我们在寒山别院松茂亭内，已先睹为快了，就是李大钊书写的那块。
第六块碑是当代书画大家刘海粟的作品。1981年冬，时年86岁高龄的画家把自己关在房内约5个小时，用整个身心完成了一件力作——行草《枫桥夜泊》。刘老完成这件作品后病倒了多天，但他对这幅作品非常满意，认为不亚于俞樾所书。根据刘老生前愿望，这块碑于1994年镌刻完成后置于寒山寺碑廊内。
第七块碑是1998年新竖在“枫桥诗碑廊”内的由革命前辈陈云所书，原件是他82岁时赠给评弹名家刘韵若的。碑廊内与俞樾手书碑相对而立的是康有为1920年在寒山寺题的诗：“钟声已渡海云东，冷尽寒山古寺风;勿使丰干又饶舌，化人再到不空空。”康有为曾慷慨于古钟流失到日本，他风趣地说：也怪丰干和尚多嘴多舌，向浙江台州太守阁邱点破了寒山、拾得是文殊、普贤两菩萨化身的天机。若不是泄露天机，再有转世者到来，寺内就不会空空地连古钟也保不住了。
寒山寺导游词【篇三】
Ancient Hanshan Temple
It was in 2002 that monks of Hanshan Temple warmly celebrated the 1500 th anniversary of the founding of the very temple. The event indicated that temple was estab
lished in 502 AD in the Liang Dynasty of the Southern Dynasties with its earliest name being the WonderfulBeneficial Universal Illumination Pagoda Temple. Its present name was given during the Tang Dynasty (618-907) when two famous monks named Hanshan and Shide came and stayed in it. Since then, Buddhist believers have had the faith in the fact these two monks are the personifications of the Bodhisattva of Wisdom and the Bodhisattva of Universal Benevolence respectively. Therefore the temple’s name was changed into Hanshan Temple in memory of the monk Hanshan. Also in the Tang Dynasty did a well-known poet, Zhang Ji by name, arrive at Suzhou with his boat mooring near the Maple Bridge in the Maple Bridge Town. A slight being so touching, he composed on the spur of moment a poet to describe both the scenery and the bell echoing around the temple.
The poem was entitled “Night Anchoring at the Maple Bridge” which made and still makes the temple renowned both at home and abroad. The temple’s long history and culture make it be the admiration of visitors and Buddhists from all over China. And it is a must for sightseers from Japan because legend has it that once the monk Shide landed in Japan and spread both Buddhism and Chinese culture there. The ancient temple faces the world-renowned Grand Canal with both the Maple Bridge and the Jiangcun Bridge flying over the tributary of it. Numerous classical buildings inside the temple are imposing and trees growing luxuriantly. Passing the entrance hall, visitors can command a nice view of the Mahavira Hall, the 500 Arhats Hall, the Sutra-storing Building, the Bell Tower, the 42.2-meter-high Universal Illumination Pagoda, the Stela Gallery, many other chambers and mansions as well as beautiful garden courts. It is worth mentioning that in the center of the Mahavira Hall sits Buddha Sakyamuni with two attendant Bodhisattvas standing piously at the both sides, who are Sakyamuni’s first generation disciples. The younger one is named Ananha and the elder one is called Kasyapa. And the gilt Eighteen Arhats are installed alongside the side walls. Shown in the right rear corner of the hall is a bronze bell hung on a wooden stand. This is a Japanese bell which Yamada Kanzang, a friendly Japanese personage, cast and sent to Suzhou’s Hanshan Temple in 1905, symbolizing the cultural exchange between China and Japan in history. Near the bell ate two stelae, or stone tablets, set in the white walls, one displays the monk Hanshan and the other portrays both Hanshan and Shide who are vivid and full of fun, clapping and laughing like real persons. Located behind the Mahavira Hall is the Sutra-storing Building, at the side of which lies the hexagonal Bell Tower. On its second floor hangs an enormous iron bell cast in 1906, i.e. in the 32nd year of the reign of Emperor Guanxu. This is a
very important bell because a flourishing gathering can be seen annually on the eve of New Year’s Day when tourists from all over the world flock inside and outside the temple and await the coming of the zero hour of the New Year by listening to the sound of this Qing Dynasty Bell struck 108 times by the abbot standing on the second floor of the Bell Tower. Since December 31st, 1979 there have been 27 such events known as the Suzhou Hanshan Temple’s New Year listening-to- the-Sound-of-Bell Activity. Now the temple looks forward to the 37th such an activity which will fall on December 31st, 2015. Another attraction of the temple is the poem stelae bearing the inscription of the above-mentioned Zhang Ji’s poem in the Tang, which goes: Moonfall. Crow cry in a sky full of frost. Maple bridge. Lamps of fishermen doze off in the groom. Outside Old Soochow City lies Hanshan Temple. At midnight, the sound of its bell reaches my boat. Up to now there are totally ten noted personages who wrote this poem by using the Chinese writing brush and had their own handwriting engraved on ten stelae respectively. Tourists do appreciate these stelae showing different calligraphy. Erected round the pagoda are seven of the ten steles. They are written by seven people who are Wang Gui, a high-ranking official in the Northern Song Dynasty (960-1127);
Wen Zhengming, an outstanding painter and calligraphist in the Ming Dynasty (1368-1644); Professor Li Dazhao at Peking University, one of the founders of the Communist Party of the China; Zhang ji, a senior stateman of the Kuomintang party, who had the same surname and personal name as the Zhang ji in the Tang Dynasty and wrote the poem in 1947; Chen Yun, vice-chairman of the Central Committee of the CPC; Professor Qi Gong, also know as Aisin-gioro Qi Gong (1912-2005), at the Beijing Normal University, a well-known calligrapher and descendant of the imperial family of the Qing Dynasty; and Luo Zhewen, a veteran expert in the traditional Chinese architecture and in charge of the application for the World Heritage sites in China. As to other three poem steles, two are displayed in the Stela Gallery. They were respectively written by Yu Yue(1821-1907), a renowned scholar in the late Qing Dynasty who lived in the Quyuan Garden in Suzhou, and Liu Haisu, afamous painter in the late twentieth century. Well, another stele, or the tenth one, is housed in a pavilion and inscribed by the former abbot of the temple, the reverend monk Xing Kong. So much for the brief introduction to Hanshan Temple. Thank you for being with me.